PROJECTS WITH KIDS



Innovative and participative projects with children
both in Switzerland and abroad.
Find here some examples:




LA NOCHE DE LA BESTIA




MUSIMATRIX




ADVENTUROUS SOUNDS




KOKOA NY FEO




FORM & FARBEN




FIVE FOR KIDS



















EDUCATIONAL ACTIVITIES


sharing our knowledge and experience
in >50 universities and music schools
all around the world,
masterclasses, lectures & workshops,
concert introductions,
tailored to the specific needs
of every audience

















ONLINE TOOLS FOR COMPOSERS


based on pluriannual
international research
projects
























ENSEMBLE COLLABORATIONS



integrating recorder and voice
into the contemporary music ensemble´s texture
enhancing opportunities for recorder players
and vocal performers











YOUTUBE VIDEOS


easily accessible,
including concert and studio recordings
as well as interviews,
all of them compiled in playlists
,
>100´000 views















PHOTO ALBUMS


user friendly docu on social media,
with concert tour and opera pics,
including press reviews and further links,
easily accessible and downloadable
for composers and promoters,
>500´000 hits per year




















FULL DOCUMENTATION ONLINE


including program sheets,
press reviews
and recordings

















PRESS DOSSIERS


classified by year
available both as .pdf (full dossier)
and .jpeg (individual reviews)















ADVOCATING CONTEMPORARY MUSIC


locally, regionally,
nationally and internationally
within the following structures
related to creation
and contemporary music

Looking at advocacy on behalf of new music that’s geared
toward decision makers in institutions:
do you feel that your local arts foundation, board of education,
university, and/or local government could be creating more
and better programs to support contemporary music?

So do we. But where do we start?

By Working Through the System.

Nearly all the institutions that support the arts
have a consultation process for the communities that they serve,
and they need to hear from us.

Even though the differences one will make
will often feel slow and painfully incremental,
based on experience it’s very possible to get tangible results,
and it’s by far the best way to help contemporary music in the long run.