__ Adventurous Sounds
IDEE
Adventurous Sounds ist ein von UMS ´n JIP initiiertes Projekt
zur Vermittlung von Neuer Musik für und mit Kinder.
Das
Projekt wird in Zusammenarbeit mit Partner-Festivals,
-Musikschulen, -Ensembles, -MusikerInnen sowie mit
-KomponistInnen realisiert. 2023 sind dies das Festival Forum Wallis,
die Musikschule Konservatorium Zürich MKZ und das
griechische Ensemble für Neue Musik dissonArt.
Ziel
des Projekts ist die spielerische, praxisorientierte und
kindergerechte Einführung in die zeitgenössische Musik, die
geführte kammermusikalische Spielpraxis in einem
professionellen Umfeld, das Zusammenspiel der Kinder mit
schulinternen und -externen Profis, die Zusammenarbeit mit
Komponisten aus einem internationalen Umfeld sowie
Aufführungen im Rahmen der Schule und im Rahmen
internationaler Festivals.
Über die Dauer eines Semesters werden bestehende zeitgenössische und neu komponierte Werke sowie Improvisationskonzepte erarbeitet. Diese entwickeln Inhalte und Formate weiter, welche UMS ´n JIP seit 2010 im Wallis, der Schweiz und im Ausland in urbanen, suburbanen und ländlichen Umfeldern mit Kindern und Jugendlichen entwickelt und angewandt haben (u.a. Einer en las Villas, Musimatrix, 4 Kids, Kokoa Ny Feo, Workshops, Lectures, Clinics).
Das
Projekt wird über die Schweizer
ISCM-Sektion und die ISCM
(Int. Society for Contemporary Music) international
rezipiert.
Adventurous Sounds is a project initiated by UMS
'n JIP for the mediation of new music for and with
children. The project is realized in collaboration with
partner festivals, music schools, ensembles, musicians and
composers. In 2023 these are the Festival Forum Wallis,
the Musikschule Konservatorium Zürich MKZ and the Greek
ensemble for new music dissonArt. The aim of the project
is the playful, practice-oriented and child-oriented
introduction to contemporary music, the guided chamber
music practice in a professional environment, the
interaction of the children with professionals, the
collaboration with composers from an international
environment as well as performances within the school and
in the context of international festivals. Over the course
of a semester, existing contemporary and newly composed
works as well as improvisational concepts are developed.
These further develop both content and formats that UMS 'n
JIP have developed and applied since 2010 in Valais,
Switzerland and abroad in urban, suburban and rural
settings with children and young people (including Einer
en las Villas, Musimatrix, 4 Kids, Kokoa Ny Feo,
workshops, lectures, clinics). Adventureous Sounds is
internationally received through the Swiss ISCM section
and the ISCM (Int. Society for Contemporary Music).
REPERTOIRE
UMS 'n JIP
Les Cloches, 2019
Stimme(n), Blockflötenensemble, Elektronik, 15m
UMS 'n JIP
Sancho's Dream, 2022/23
Stimme(n), Blockflötenensemble, Streicherensemble ad
lib., Elektronik, 15m
FOUR
var. Besetzung, 30m
FIVE
var. Besetzung, 5m
Version I
Version II
Version III
Das Lachenmann
Stimme, Blockflöte, 8m
Nachtkrapp
Blockflötenensemble, 8m
Blockflöte, 5m
Blockflötenensemble, 3m
Die Biene
für 2 Blockflöten, 3m
für 3 Blockflöten, 2m
PRESS & PHOTOS
Adventurous Sounds in Zusammenarbeit mit dem CPMDT Genève
"The most entertaining event at Forum Wallis 2023 was
‘Adventurous Sounds’, a concert billed as being “New Music
for and with children” as part of a project aimed at
introducing contemporary music to young people, which also
extends to in-school activities.
One of the most hilarious
compositions i’ve ever heard, Motoharu Kawashima‘s Das
Lachenmann, which i’d seen Javier Hagen and Ulrike
Mayer-Spohn perform at Forum Wallis back in 2019, began
the concert, preceded on this occasion by an equally funny
session where the audience was taught to sing several
isolated bars from the score, which were projected onto
the wall. It was fantastic to see an audience of
predominately young people engaging with new music as both
listeners and, briefly, performers, and clearly having an
absolute blast.
The majority of the concert
involved students from the Musikschule Konservatorium
Zürich, all playing various recorders, who took part in a
number of pieces alongside Hagen, Mayer-Spohn and members
of the dissonArt ensemble.
Particularly effective was Agnes
Dorwarth‘s Nachtvögel; Gezwitscher; Nachtkrapp, a textural
work made up of birdsong-like behaviours, concluding in a
lovely chorus of modulating pitches. Dorwarth’s
Kopfnuss-Trio was an even stronger, the three players
using their headjoints to create something akin to a
tribal chant, in a close unison peppered with rhythmic
cries and glissandi. Two of the students turned Franz
Müller-Busch‘s Der Streit into a brief but compelling
argument, while another student, Sara Weinmann, gave a
strong performance of Dorwarth’s Artikulator 1,
channelling a range of emotions into sound in different
ways, from disruptions and interruptions to the work’s
flow to violent vocal eruptions, in a nicely-controlled
melding of musical, non-musical and meta-musical ideas.
The concert ended with an
expanded version of Sancho’s Dream by UMS ‘n JIP (Hagen
and Mayer-Spohn’s joint nom de guerre), the original of
which was part of the duo’s opera Sancho, which i
experienced in 2020. In this new form it was utterly
mesmerising, living up to its title by creating a dreamy,
soft texture environment developing into what seemed to be
accelerating Shepard tones."
Adventurous Sounds zusammen mit dissonArt am Festival Forum Wallis
Konzertplakate für die Konzerte von Adventurous Sounds am Forum Wallis und in Zürich
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