2019 __ Latinoamerica
UMS 'n JIP performing EINER, CePIA UNC Cordoba, Argentina,
4/2018
WERKE
*Andres Guadarrama (Mex)
Lo furioso, lo verdaderamente animal que me sostiene,
esto de grito ahorcado como un aullido en la garganta...
version for voice & recorders (duo), 2019, UA
Franco Pellini (Arg)
Small Picture of Jade, 2019, UA
*Jorge Delgado (Mex)
Pilgrimage, 2019
Rodolfo Acosta R. (Col)
Blumenlied, 2006
Sandra Elizabeth Gonzalez (Arg)
Espacio Onirico, 2019, UA
Marcelo Delgado (Arg)
Voice Machine, 2018/9, UA der Neufassung
Leonardo Idrobo
(Col/CH)
sandkorn, 2018/9, UA
***
Tania Rubio (Mex)
Axolotl, 2019, UA
*Mariana Villanueva (Mex)
El Llamado, 2019, UA
Rodolfo Acosta R. (Col)
Retorno
*Michel Soto (Mex)
Fugato 404 not found, 2019
*Angel Lemus (Mex)
Bright, 2019
Thiago Cury (Bras)
epitáfio do indignado, 2019, UA
*Nathalie Gutierrez (Mex)
Fear, 2019, UA
*Andres Guadarrama (Mex)
Lo furioso, lo verdaderamente animal que me sostiene,
esto de grito ahorcado como un aullido en la garganta...
version for voice, recorders & tape (trio), 2019, UA
* Miniaturen aus dem Taller de Composicion am IV
Encuentro Revueltas Sonoras 2019 Cuernavaca MX
PROGRAM SHEET
IDEE
Das Latinoamerica Project ist ein mehrjährig
angelegtes Projekt, dass - analog zu den Ostasienprojekten des Duos 2015
initiiert wurde und kompositorische musikpädagogische
und künstlerische Austauschprojekte schwerpunktmässig in
Mexiko, Kolumbien, Peru, Brasilien und Argentinien
beinhaltet. Nach einer ersten Konzertreihe 2018 mit Werken
lateinamerikanischer Provenienz beinhaltet dieses Programm
nun Werke der jüngeren Komponistengeneration. Sämtliche
Werke wurden anlässlich der zahlreichen Reisen nach
Lateinamerika mit den KomponistInnen vor Ort entwickelt und
einstudiert. Deren Ästhetik ist denkbar heterogen, auch wenn
sich in der Gruppe verschiedene Gemeinsamkeiten ausmachen
lassen: politisches Engagement, Sensibilisierung für native
Instrumente/Timbres, harte Schnitttechniken. Das Programm
bietet nicht nur ein multimediales, äusserst
abwechslungsreiches klangliches Panorama, sondern auch einen
spannenden Einblick in das Schaffen der jüngsten
lateinamerikanischen Komponistengeneration.
UMS ´n JIP sind eines der produktivsten und aktivsten Neue
Musik-Labors der Gegenwart: Über 300 Auftragswerke
und 1000 Konzerte in über 40 Ländern haben sie
seit 2007 gespielt und dabei einzelne Werke über 100
Mal performt. Ihr einmaliges, auf Langzeitprojekte
ausgelegtes Kleinstformat findet international denn auch
immer mehr Nachahmung. Im Rahmen ihres
Lateinamerika-Engagements produzierten UMS 'n JIP 2018
zusammen mit dem Regisseur Pablo Maritano im Auftrag des
Festivals Nueva Opera de Buenos Aires FNOBA und dem
Centro de Experimentacion des Teatro Colon "La Noche de la
Bestia", eine partizipative Oper mit Kindern aus den Slums
von Buenos Aires. Ihre Arbeiten als Komponisten wie
Interpreten wurden bisher mit mehr als 25 internationalen
Preisen gewürdigt.
with Marcelo Delgado (Centro de las Artes
UNSAM, 2016)
with Franco Pellini (Cordoba, 2018)
with Andres Guadamarra, Mariana Villanueva, Nathalie Gutierrez,
Michel Soto, Angel Lemus, Jorge Delgado, Tania Rubio
(IV Encuentro Revueltas Sonoras Cuernavaca Mexico, 2019)
with Miguel Galperin & Thiago Cury (Teatro
Colon Buenos Aires, 2016)
with Leonardo Idrobo (Musikfestival Bern, 2011)
COMPOSERS
Thiago Cury is at home in a multitude of sectors, from live
and education to recorded and publishing: The Brazilian arts
manager, musical producer and studied composition, he has
been developing sound creations for cinema, theater, opera,
dance, performance and art exhibitions since 1993,
collaborating with Coffin Joe, Jorge Bodansky and Teatro da
Vertigem amongst others. His music has been played at
festivals like Festival Música Nova and Encompor amongst
others and has won prizes, e.g. Concurso Nascente/USP, and
been awarded at Festival Internacional de Cinema de
Brasília, Festival de Teatro de Americana. In 2005 Thiago
Cury founded ÁguaForte, a record label and publishing
company, where he develops special projects in music,
producing concerts, recording CDs and LPs, and publishing
scores. In 2010 Thiago Cury worked as the Director of the
Music Center of Funarte (Brazilian national foundation for
the arts). In 2013 he created the Strange Music Festival in
São Paulo. ÁguaForte | thiagocury.com | strangemusicfestival.com
Leonardo Idrobo. Born 1977 in Santiago de Cali,
Colombia. In 1995 he moved to Santa Fe de Bogotá to study
music at the Universidad Nacional de Colombia. He was there
under the tutorship of Roberto García, Horacio Lapidus,
Hegberto Bermúdez, Angela Rodríguez and Blás E. Atehortua,
among many others. During 1997 he studied composition with
Juan C. Marulanda at the Pontificia Universidad Javeriana.
This, thanks to a scholarship given by the Fundación Mazda
para el Arte y la Ciencia. Between 1998 and 2000 he took
occasionally analysis and composition lessons with Rodolfo
Acosta R. At the end of 1998, he decided to interrupt his
studies and dedicate himself to composition as a full-time
activity. In 2001, he decided to undertake a trip to
Switzerland with the purpose of studying once again. Basel
was the place he chose for this. He studied composition with
Detlev Müller-Siemens and Erik Oña, and other subjects with
Dorothé Schubarth, Roland Moser, Hanspeter Aeschlimann,
Markus Jans, Hans Saner and Jakob Ullmann, among others. He
has taken part of several seminars, courses and workshops in
Colombia, Spain, Hungary, Germany and Switzerland, as well
as composition masterclasses with Coriun Aharonian, Graciela
Paraskevaidis, Beat Furrer, Michael Jarrell, Jonathan
Harvey, Marco Stroppa, Klaus Huber, Mark Andre, Brice Pauset
and Helmut Lachenmann, among many others. In 2008 he
assisted the German composer Jakob Ullmann (*1958) in the
realization of the electronic part of his piece PRAHA:
celetná-karlova-maiselova, commissioned by the
Deutschlandfunk, and premiered at the Forum für Neue Musik
2008 in Cologne, Germany. Leonardo Idrobo has won the
National Prize for Composition given by the Colombian
Cultural Ministry (1997), has been awarded scholarships and
commissions given by the Marianne & Curt Dienemann
Foundation (Lucerne, CH), Christoph Delz Foundation (Basel,
CH), Experimentalstudio des SWR (Freiburg i.Br., Germany),
and a residency given both by the Colombian Cultural
Ministry and FONCA (Mexico). His music has been played in
Colombia, Mexico, Switzerland, Germany, Poland and Hungary, by ensembles such as Tambuco,
Ensamble3, Ensemble Phoenix, Ensamble CG, and by the Basel
Symphonic Orchestra.
Franco Pellini. Nació en San Francisco (Córdoba,
Argentina) el día 28 de Marzo de 1985. Es Licenciado en
Composición Musical de la Facultad de Artes de la
Universidad Nacional de Córdoba. Tomó cursos, seminarios y
conferencias con maestros de distintas ramas de la música
como Elio Martusciello, Gonzalo Biffarella, Santiago
Santero, Gerardo Gandini, Gustavo Alcaraz, Christian
Clozier, Ludger Brümer, Rodrigo Sigal, Francisco Colasanto,
Adrew Stewart, Josep Lluís Galiana, Gregorio Jiménez y Luigi
Ceccarelli. Sus trabajos electroacústicos han sido
presentados y difundidos por radio en Argentina, México,
Bélgica, Holanda y Francia. Desde el año 2008 participa como
baterista del proyecto musical “A lo Bonzo”. Compuso junto a
Hernando Varela y Adrián Ferreyra la ópera “Benjamín y
Clara, la historia de los cuerpos que se rompen”. En 2011
estrenó su Micro-Ópera Multimedia “La Orilla” y en 2012/2013
participó también como compositor en la producción colectiva
de las óperas “Mirame” y “Flores y Zanahorias”, desarrollada
en el Seminario de Composición con Nuevas Tecnologías
dictado por Gonzalo Biffarella y del cual es Profesor
Adscripto (FA-UNC) En 2010 recibió una Mención Especial en
el concurso de Composición Electroacústica y Video-Música de
la Fundación Destellos (Mar del Plata) por su obra
acusmática “Fragot”. En 2011 recibe el apoyo del FONCA
CONACULTA (México) y la Secretaría de Cultura Argentina para
realizar una residencia durante 2012 en el Centro Mexicano
para la Música y las Artes Sonoras (Morelia, Michoacán). En
2012 es becado por la Secretaría de Estado de Cultura de
España para realizar estudios en el LIEM (Centro de
Tecnologías del Espectáculo, Madrid). En 2014 gana
el 3er premio Luigi Russolo y obtiene
la Mención Rossana Maggia por la innovación en el uso
de la voz humana por su obra “Forêt”. Actualmente
dirige la Licenciatura en Interpretación Musical de la
Universidad Provincial de Córdoba y es miembro del LEIM
Ensamble, grupo de improvisación + live electronics con
residencia en el Laboratorio de Electroacústica e
Informática Musical de la Facultad de Artes-UNC.
"Small picture off Jade" es una obra que
hice pensando en Jade, una gatita hermosa que vivía en
casa y decidió un día dejarnos. Una enredada matona de
mirada enojona.
Tania Rubio is a composer and transdisciplinary
artist born in Mexico City, in 1987. She received a masters
degree in Musical Creation, New Technologies and Traditional
Arts in the National University of February Three, and the
Specialization in Objects Theater, Interactivity and New
Media in the National University of Arts in Buenos Aires,
Argentina, with the support of the program Studies abroad
2015-2017 of FONCA-CONACYT. She graduated with an
honorific mention from National School of Music UNAM in
2014. She works with transdisciplinary creation, soundscape,
field recordings and sound objects theater. She won a
national award and different scholarships for artistic
creation and research projects. Her work has been presented
in Mexico, Argentina, Brasil, Colombia, France, Spain and
England. Her research work is focused on
transdisciplinarity, decoloniality, interculturality,
soundscape and field recording. She has presented workshops
and conferences in international congress and universities
in Mexico, Argentina, Colombia and Brasil.
Sandra
Elizabeth González. Argentine composer, graduated
from the Conservatory of Music "Manuel de Falla" with a
specialization in Symphonic and Chamber Music, and Senior
Lecturer in Music with a Specialization in Composition.
Degree in Electroacoustic Composition by the National
University of Quilmes (UNQ) in Argentina, where she
obtained a Training Fellowship in Teaching and Research.
Participates in the research program "Temporal Systems and
Spatial Synthesis at Sound Art".
She has composed works
for solo instruments, ensembles, orchestra, chamber choir,
electroacoustic and mixed media works. Her work “Modos en
decantación” was selected to participate in the workshop
for composers conducted in 2013 by the Arditti Quartet
(UNQ). Her works are released by renowned musicians and
presented in prestigious venues in Argentina in major
concert series: Salón Dorado del Teatro Colón, Usina del
Arte, Centro Cultural Recoleta, Sala Orestes Caviglia del
Teatro Nacional Cervantes and Auditorio Nicolás
Casullo de la Universidad Nacional de Quilmes, among
others. Her works have been selected to participate in the
international festivals: Música de Agora na Bahia (Brazil)
in 2014, 41 st International Computer Music Conference
(USA) in 2015, L’Acusmonium AUDIOR (Italy) in 2015, New
York City Electroacoustic Music Festival 2016, 2017 and
2018 (USA), MUSLAB (Mexico, England and France) in 2016
and 2018, XI Jornadas de la Música Contemporánea
(Colombia) in 2016, Bernaola Festival XIV Edition, AKUSMA
(Spain) in 2017, Delian Academy for New Music (Grecia) in
2018, 43rd International Computer Music Conference (South
Korea) en 2018 and Transversal Sonora 2018 (Colombia –
Argentina). In L'Acusmonium AUDIOR, the world premiere was
held in 2017 at the Teatro Espace (Turin - Italy) of his
work Simbiosis, composed by order of the Associazione
AU-DIOR. This electroacoustic work integrates the Lichens
CD.
Marcelo Delgado was born in 1955 in Argentina
where he currently lives and works. He is a composer,
conductor and teacher. He founded and directed the Compañía
Oblicua, contemporary music ensemble. He is also creator and
host of the radio show OMNI (Unidentified Musical Objects)
on Radio Nacional Clásica focused on the promotion of
contemporary music. He is professor of Arts Studies at the
Universidad de Buenos Aires (UBA), also of the Conservatorio
Superior de Música de la Ciudad de Buenos Aires, and of the
Contemporary Music Advanced Studies at the Conservatorio
Superior de Música “Manuel de Falla”. In 2016 he staged UMS
'n JIP's 'Genealogias', a music theater commissioned by
Centro de Experimentacion del Teatro Colon CETC for the
Festival Nueva Opera de Buenos Aires FNOBA at Centro de las
Artes UNSAM.
Rodolfo Acosta R. Born in Bogotá,
Colombia in 1970, Acosta studied music theory and
composition in Colombia, Uruguay, France, U.S.A.,
Mexico and the Netherlands, at institutions such
as G.M.E.B., Fondation Royaumont, STEIM and Berklee
College of Music. Among his most influential teachers
are Coriún Aharonián, Graciela
Paraskevaídis, Klaus Huber and Brian
Ferneyhough. Acosta's compositions have received
prizes and other recognitions at national and
international levels. His music - both acoustic and
electroacoustic - has been presented in some thirty
countries of the Americas, Europe and Asia, has
been published in score form by El Mercurio magazine,
Matiz Rangel Editores, the Ministry of Culture of
Colombia and the Francisco José de Caldas
District University, and on CD by
Editorial Musical Sur, ACME (Colombian Association
for Electroacoustic Music), Quindecim
Recordings, IDCT (District Institute of Culture
and Tourism), the Colombian-French Alliance, the FJC
District University and the Secretariat of
Culture, Recreation and Sports, the Ministry of
Culture of Colombia, La Distritofónica, CCMC (Colombian
Contemporary Music Circle), as well as independent
productions. Acosta a founding member of CCMC
(Colombian Contemporary Music Circle),
a non-profit association dedicated to the
promotion and development of contemporary music in
Colombia. He is the founder and director
of Ensamble CG, a chamber ensemble formed in 1995
and dedicated to
the performance of contemporary repertoire,
with a special emphasis on Latin American
and Colombian music, carrying out over
150 Colombian and World premieres. He is also
founder and director of EMCA (ASAB Contemporary
Music Ensemble), the longest-running contemporary
music student group in Colombia. Since the early
1990s he has been actively involved in
the experimental improvisation scene in Bogotá,
both in free and conducted formats, performing with
many local and foreign improvisers.
Long-term projects within this field include Tangram
and more recently, the B.O.I. (Bogotá Improvisers'
Orchestra). He is professor of music at the
District University's ASAB School of Arts, as well as
at the Central University's School of Music, both
in Bogotá. Likewise, he teaches in the Masters in
Literary and Musical Studies of the
Mexican/North American Institute of Cultural Relations in
Monterrey, Mexico. His main fields of
interest in teaching are: composition, history,
theory and analysis, as well as performance of
contemporary and experimental music. He has been
professor and lecturer in these fields at
different universities and conservatories throughout
the Americas and Europe. Finally, Acosta
is a member of the editorial committee of " Cuadernos de
Música, Artes Visuales y Artes Escénicas" of
the Pontificia Universidad Javeriana. His own research
and analytical texts have been published
in books (such as the "Gran Enciclopedia de Colombia",
published by Círculo de Lectores/El
Tiempo), periodicals (such as “A
Contratiempo”, published by the Music
Documentation Center of the National Library
of Colombia) and web pages (such as the influential
"latinoamérica música": http://www.latinoamerica-musica.net/index.html
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