SIGNature, 2011
for tenor/countertenor, recorder, actor, type
writer and live electronics
commissioned by UMS 'n JIP
world premiere Basel, 10/05/2011
Olga Bochikhina was
born in Kirov in 1980. As a composer Olga
Bochikhina started her education in 2000 in
Moscow State Chaikovsky’s conservatory in class
of famous Russian composer prof. Vladimir
Tarnopolsky. During her studies she won the
first composer award at the I All-Russian
competition for the best composition for Orgel
(II prize, 2001). In 2005, at the III
International P.I.Jurgenson competition of young
composers she was also awarded the first prize
for the composition «Tactile instruments» for
large ensemble. During the postgraduate
education Olga took interest in area of
electro-acoustical composition. She’s got the
Swiss Government Scholarship to study in Basel
(Musik Akademie der stadt Basel / Hochshule für
Musik) in the Electronic Studio for 2009-2011
school years. Currently she does the Specialized
Master Program in Composition (compositional
class of Prof. Dr. Erik Oña and theory class of
Prof. Dr. Jacob Ullmann). Olga took part in
workshops «Young composers meetings - 2004» in
Apeldoorn (Holland, 2004) and participated the
International Ensemble- and Composers- Academy
for Contemporary Music «Impuls 2009» (Graz,
Austria, 2009). The composition «Cadenza to
Mozart’s concerto» for violin and chamber
orchestra. was written in 2006, on a commission
of violinist David Frühwirth (Germany) and
Maestro Valery Gergiev. It was premiered in the
new Concert Hall of the Mariinsky Theatre
«Mariinsky-3» in December 2006. Two years later
as a sequel of working with Maestro Gergiev the
symphonic prologue to theatrical action «The
Neva prospectus» was performed on the above
–mentioned concert ground. The performance was
announced within the framework of the festival
cycle «New Horizons» (Saint-Petersburg, 2008).
Works of Olga Bochikhina were also performed at
various international and russian contemporary
music festivals as well as «6. Weimarer
Frühjahrstage für zeitgenössische Musik»
(Weimar, 2005), «The Moscow autumn» (Moscow,
2005-2009), «The Moscow forum» (2007-2010),
Schleswig-Holstein Musik Festival (2008), “Young
Euro Classic” (Berlin, 2009), “World New Music
Days” (Sweden, 2009), Frau Musika Nova (Cologne,
2009), International Summer Courses for New
Music in Darmstadt (2010) and many others. Among
performances of her works are Mariinsky
Orchestra, Y.F.Svetlanov State Academic
Symphonic Orchestra, ensemble «Studio For New
Music», «de ereprijs» orchestra (Netherlands),
«Russian Philharmonic» orchestra, “Cikada string
quartet” (Sweden), “Türmchen Ensemble”
(Germany), “Phoenix ensemble” (Switzerland) etc.
In 2007, with the group of composers she also
was engaged into the International opera project
«Boxing Pushkin» premiered in Holland (Arnhem,
Neijmegen, Den Haag, Apeldoorn, Amsterdam). The
same year at festival «Moscow forum» the
presentation of initiative creative association
«Sound Plasticity» has taken place. She attends
a lot to projects organized with «Sound
Plasticity». Among them: «Prometeo» on
R.G.Monnau's verses, the international opera
project «Boxing Pushkin», a concert «Arthur
Lourie's Dedication», the Russian-American
project «Berkley-Moscow: new generation of
electro-acoustic music», audio realization of
silent movie “Berlin. Symphony of Great City”.
alexander chernyshkov
died in 2063 by being stabbed down in the metro
in paris, apparently because he was selling some
forbidden records and other material. he started
his career as a decent and gifted composer and
in 2014 decided to do movies but only for some
years, in order to find, that the real art is
daily life and the other way around, so he
became a constant installation in vienna and in
the life of ma artists. he became famous for his
artwork in 2021, when he connected a living cow
to the web 3.0 and started mutating the cells of
the cow by random rotistic processes. the cow
later started talking and killing innocent
animals and was therefore slaughtered, which
became a famous documentary by the director
niklas seidl. in 2030 they started doing their
"socio-fascistic" actions in athens and kuala
lumpur and got imprisoned for drinking zwickl in
the öffentlichkeit.
https://soundcloud.com/alexander-chernyshkov
Alexander
Chernyshkov is born in 1983 in Omsk,
Russia. At 12 years old moves to Verona, Italy.
Guitar player in different Rock and Jazz groups.
Studies at Verona State Conservatory classical
guitar, composition and theory. In 2007 moves to
Vienna where he studies at Universita¨t fu¨r
Musik und darstellende Kunst Wien. Participating
at the Darmstadt Ferienkurse fu¨r neue Musik,
where his pieces Sakhar (wind instruments) and
Almatiki daechta (solo voice) have been
performed. His pieces are performed by ensembles
such as musikFabrik, Nikel, Phace, Pro Arte,
Masm. Since 2011 he plays and performs solo and
in duo with other composers in little galleries
and abandoned factories. Builds instruments of
strictly acoustical and mechanical origin. Eats
and sleeps in Vienna.
MICHAEL FUCHSMANN
b. 1964
Skizzipichkeit 2012/3
commissioned by UMS 'n JIP
world premiere spring 2013
Michael Fuchsmann is
a Russian composer, musicologist, arranger,
teacher and executor (piano, keyboards, violin).
He was born in 1964 in Rostov-on-Don. It was the
Rostov State Rakhmaninov Conservatory (RSRC)
where he was graduated from and later has got a
postgraduate course under supervision of Prof.
Vitaly S. Khodosch (composition). Later M.
Fuchsmann also studied as a musicologist under
Prof. Tatyana V. Frantova and have taken his Ph.
D. degree in Art Criticism in 2002. He has
currently a position of associated professor in
RSRC. M. Fuchsmann has written compositions for
orchestras (not only symphonic one), chamber
music, pieces for voice, choir. Some of his
works combine both traditional instruments and
electronic media. Several performances of Rostov
State Puppet Theatre named after Vladimir S.
Bylkov are accompanied by Michael`s music. In
several cases M. Fuchsmann incorporate his
compositions in complex actions demonstrating
the unity of sounding message in its artistic,
scientific and educational sides. He is also an
author of numerous arrangements for various
instrumental groups. Texts of «music in words»
represent one other essential aspect of
Michael`s activity. The works of M. Fuchsmann
are executed mostly by Russian musicians
including Russian folk instruments orchestra
«Don» (Rostov-on-Don), «Studio for New Music»
(Moscow), «Moscow Contemporary Music Ensemble»
(Moscow), «eNsemble» (St.-Petersburg),
«Capriccio» (Rostov-on-Don), pianists Mikhail
Dubov (Moscow), Sofia Bugayan (Rostov-on-Don),
extremal vocalist Boris Filanovsky
(St.-Petersburg), violinist Evgenia Linskaya
(Rostov-on-Don) and others. Multielement style
of M. Fuchsmann incorporates the features of
contemporary academic composition, free and/or
controlled improvisation, jazz, rock. Sometimes
with an ear to enlarge this mixture Michael adds
the flavors of previous epochs of music or
non-Western traditional art without pretending
to be literally precise in these stylistic
exercises. As a musicologist M. Fuchsmann writes
about thematic development and rhythmical
structures in musical composition, creative
process of composer, computer musical
technologies. He also popularizes the activity
of Rostov musicians.
VLADIMIR GORLINSKY
b. 1984
Bramputapsel, 2011 for amplified
voice
commissioned by UMS 'n JIP
world premiere 12/2011
Vladimir Gorlinsky was
born in 1984 in Moscow. His works have been
broadcasted in Europe, Asia and Australia by
ensembles and soloists such as trumpeter Marko
Blaauw (Netherlands), pianist Ulrich Murtfeld
(Germany), ensemble «Klangforum Wien» (Vienna,
Austria), «Ereprijs» (Apeldoorn, Netherlands),
«Studio for New Music» (Moscow, Russia),
«KlangNetz» (Berlin, Germany), «eNsemble»
(St.-Petersburg, Russia). V. Gorlinsky graduated
from Moscow Conservatory (composition under
supervision of V. G. Tarnopolsky) and is
presently a faculty fellow at Moscow
Conservatory towards master degree in
composition. He had excellent opportunity to
attend master-classes with Jean Geslin, Tristan
Murail, Philippe Hurel, Louis Andriessen,
Martijn Padding, Richard Ayres, Brice Pauset and
Beat Furrer.
V. Gorlinksy spend a lot of time experimenting
with traditional, ethnic and instruments
invented by his own imagination. In 2002 he was
awarded 1st prize at the «Schnittke
International Competition for Young Composers».
Also he won the prize at Jurgenson International
Young Composers Competition (2007), next year he
won «Grand prize» at the festival «Pythian
games» in St.-Petersburg. His piece «Beiklang
II» has been featured in two categories by
«ROSTRUM» competition for broadcasting in more
than 10 countries. The piece «S’Morzando» had
been played at the festival «World Music Days
2007» in Hong-Kong. In May 2007 in Netherlands
(in 5 cities) a collective opera «Boxing
Pushkin» had its premier with music of Vladimir
Gorlinsky.
Substitutions, 2011 for
countertenor, recorders and live electronics
commissioned by UMS 'n JIP
world premiere 12/2011
Nikolay Khrust was
born in 1982 in Moscow. In 2007 he has graduated
composition department of Moscow State
Conservatoire (Professor Vladimir Tarnopolski)
and in present time studies in Conservatoire as
a post graduate student. He attended Summer
Courses for new music in Darmstadt (twice in
2004 and 2010) and Impuls courses in Graz
(Austria; 2009). Nikolay visited master-classes
of known composers and interpreters (such as
Beat Furrer). In 2007 Nikolay was invited for
collective musical theater project ‘Boxing
Pushkin’ (director Andrea Boll); the performance
is been shown in five cities including Amsterdam
(Muziekgebouw) and the Hague (Korzo theater). In
2010 year Nikolay Khrust was a composer in
residence in electronic centres CIRM (Nice) and
GRAME (Lyon), which comissioned a work Fluting
point for flute, percussion and live
electronics. Also Nikolay takes parts in
multimedia and multiart projects. One of them is
a sound program for interactive installation
‘Coming into a topic’ by an artist Dmitry
Kawarga (Pop/off/art gallery, Moscow, 2009).
Nikolay Khrust is a laureat of international and
all-Russian contests including III and IV
Yurgenson International Young Composers
Competition, ‘Image of science’ competition
etc.. Works of Nikolay Khrust have been
performed by Studio for New Music Moscow,
eNsemble, de Ereprijs, Reconsil Wien, Aleph
ensembles, musicians of Ensemble Orchestrale
Contemporain (Fabrice Junger, Yi-Ping Yang) and
MusikFabrik (Helen Bledsoe) and been presented
at festivals ‘Klang und Raum’ (Dresden, 2005),
‘Moscow autumn’ (2005, 2006, 2008), ‘Moscow
forum’ (2007, 2008, 2010), ‘Musical Olympus’,
‘Pythian games’ (S.-Petersburg, 2008),
Schleswig-Holstein Musikfestival (Kiel, 2008),
‘Other Space’ (Moscow, 2009, 2010), ‘Young Euro
Classic’ (Berlin, Konzerthaus, 2009), Biennale
‘Musique en scéne’ (Lyon, 2010), 45th Summer
Courses for New Music in Darmstadt (2010).
Nikolay Khrust is a participant of Sound
Plasticity group.
Flickering, 2011 for male and
female voice and live electronics
commissioned by UMS 'n JIP
world premiere 12/2011
Alex Nadzharov. Born
in 1983 in Moscow, Russia. Began to study music
since 7 y.o. and also began to compose music at
this time. Later also studied jazz piano, alto
saxophone and electronic music. In 1997 he
entered Moscow Ippolitov-Ivanov college on music
theory and composition department, studied in
R.Zatikyan and A.Flyarkovskiy classes. After
graduating college in 2001 entered Moscow State
Consevatory, composition department, U.Vorontsov
class. Graduated it in 2006 and now stuying on
post-graduate courses. During the studies at
Conservatory has participated in master-classes
of T.Murail, G.Rebel, I.Geslin, Ph.Hurel,
M.Padding . ”Crystal Kamerton” young composers
competition – diploma (2001) in “vocal music”
nomination, also laureate diploma in “jazz
composition”. Participant of “New music on old
instruments” project, Moscow, 2003. Participant
of “Youth academies of Russia” young composers
festival, 2005. Laureate of D.Shostakowitch
composers competition 2006
(Moscow-St.Petersburg). Laureate of Moscow
Conservatory improvised music competitions (2004
and 2006).
Sergej Newski was born
in Moscow in 1972. After completing studies in
the specialist music school at the State
Tchaikovsky Conservatoire, specialising in music
theory, he studied composition with Jörg Herchet
at the Hochschule für Musik in Dresden, and with
Friedrich Goldmann at the Universität der Künste
in Berlin. There he also studied music theory
and pedagogy with Hartmut Fladt. Masterclasses
with Vinko Globokar and Matthias Spahlinger,
meetings with Helmut Lachenmann, Beat Furrer and
Helmut Oehring, and contacts with the free
improvisation scene in Berlin have all had a
lasting influence on his development as a
composer. Since 1994 his music has
been performed at the leading international New
Music festivals, including the Donauechingen
Festival, Wien Modern, Éclat, the Gaudeamus
Music Week, the Berliner Festwochen, the ISCM
World New Music Days, the Moscow Territoryfest,
and UltraSchall. He has received commissions
from, among others, the Deutsche Staatsoper
Unter den Linden, the Berlin Konzerthaus,
Ruhrtriennale, Klangforum Wien, the Scharoun
Ensemble, the Neue Vocalsolisten Stuttgart, the
SWR, Deutschlandradio, and the Norwegian
Ministry of Culture. Interpreters of his music
include not only Klangforum Wien, the Neue
Vokalsolisten and Ensemble Modern, but also the
Nieuw Ensemble, Musikfabrik, the Moscow
Contemporary Music Ensemble, KNM Berlin,
ensemble mosaik, as well as soloists and
performers such as Teodoro Anzellotti, Natalia
Pschenitschnikowa, Daniel Gloger and Michael
Lentz, and conductors like Peter Rundel,
Johannes Kalitzke, Jürg Wyttenbach, Titus Engel,
Enno Poppe, Teodor Kourentzis und Vladimir
Jurowski. In 2006 Sergej Newski won 1st Prize at
the Landeshauptstadt Stuttgart composition
competition for his piece Fluss (2005 version).
In addition, he has gained various scholarships,
including those from the Villa Massimo/Casa
Baldi, Villa Serpentara, Künstlerhof Schreyahn,
Cité Internationale des Arts Paris, the Berlin
Senate and the Akademie der Künste in Berlin. At
the music festival in St. Petersburg in April
2008, he also received the audience prize for
his composition Alle, for speaker and ensemble.
In 2012 a portrait-CD produced by the German
Music Council will be issued on the label Wergo.
2012 CD production by the German Music Council
for the label WERGO, a.o. with VocaalLab
Nederland, VocalConsort Berlin, dem ensemble
mosaik, cond. Titus Engel. Work as a theater
composer a.o. at the Moscow Tchechov Artists'
Theater (MHT) (together with director Kirill
Serebrennikov) and at the Comedie Genève.
Dramaturgical work at the Komische Oper Berlin
(for Olga Neuwirth's American Lulu).
www.ricordi.de
VLADIMIR RANNEV
b. 1970
Futuresong,
2011 for voice,
recorders and live electronics
commissioned by UMS 'n JIP
world premiere 12/2011
Vladimir Rannev (*1970,
Moscow) is a composer and a lecturer at the St.
Petersburg State Rimsky-Korsakov Conservatory
and the St. Petersburg State University. In 2003
he graduated from the composition department of
the St. Petersburg Conservatory, where he
studied with Professor Boris Tishchenko. In
2003-2005 he studied electronic music at the
Hochschule für Musik in Cologne with Professor
Hans Ulrich Humpert. Since 2003 he has been
working as a music journalist and has published
over four hundred pieces of music criticism in
the various Russian periodicals. Rannev is a
recipient of a Gartow Stiftung scholarship
(Germany, 2002), Teatro minima competition of
the Opernhaus Zurich (Switzerland, 2004), the
Salvatore Martirano Award of the University
Illinois (USA, 2009), Gianni Bergamo Classic
Music Award (Switzerland, 2010). In 2007 Rannev
was a composer in residence at the University of
Durham (UK). His latest opera “Blaubart –
Hoffnung der Frauen” to a libretto by the German
playwright Dea Loher (a co-production of the
Goethe-Institute and Pro Arte Institute) was
premiered in St.Petersburg in April 2010 and in
Perm in June 2011 and was in the shortlist of
Sergey Kouryohin Prize (Russia, 2011). Rannevs'
music has been performed in Germany, Austria,
Switzerland, the UK, Finland, Japan and the USA
by various ensembles, including the orchestra of
the St. Petersburg Conservatory Opera and Ballet
Theatre, the Russian State Academic Symphony
Orchestra, eNsemble of the Pro Arte Institute
(Russia), One Orchestra, Studio of New Music,
Moscow Contemporary Music Ensemble (Russia),
Nostri Temporis (Ukraine), Orkest de Volharding
(The Netherlands), Les Eclats du Son,
Integrales, LUX:NM, Singakademie Oberhausen
(Germany). Rannev is a member of the StRes
(Structure Resistance) group of composers
(Russia). Publisher.
Life
expectancy #1. The Sun, 2016
for ensemble
commissioned by MCME (Project Integrations)
world premiere Moscow, 2/2016
Elena Rykova. Born in
Ufa (1991). Composer, works in area of musical
performance. Student of Moscow conservatory.
Finalist of international composer competition
Gaudeamus Prize 2013 (The Netherlands).
Participant of: Moscow Forum (Moscow
Conservatory, 2011, 2013), Difficulties of
translation (Masterskaya, 2012), Dialogs/Memory
Spaces (Platforma, 2012), ARTinki s vystavki
(Moscow conservatory & Kandinsky Prize,
2013); ”Woman in motion” (Nizhny Novgorod,
2013); Art-platform Stansia (Kostroma, 2013).
ANTON SVETLICHNY
b. 1982
Identity, 2011 for recorder
and live electronics
commissioned by UMS 'n JIP
world premiere 12/2011
Anton Svetlichny, born
in Rostov-on-Don, 1982. Graduated from Rostov
State Rakhmaninov Conservatory, prof. V.
Khodosh. Laureate of the Contemporary Music
Tribune competition 2006 and Pythian Games 2007.
Teaches at Rostov State Rakhmaninov
Conservatory.
Beta
Tauridz 2008 for flute, clarinet, violin, cello
and piano (Project Integrations)
Alexey Sysoev was born
in 1972 in Moscow. Graduated Moscow College of
Improvisation Music and performed as a jazz
pianist for a long time. He participated in
various jazz, electronic and experimental
projects. In 2003, he started his
further musical education at the Moscow P. I.
Tchaikovsky Conservatory where he is a
postgraduate student since
2008. Works of Alexey Sysoev have
been performed by “Studio for New Music” (cond.
I. Dronov, V. Gorlinsky), “Moscow Contemporary
Music Ensemble” (cond. F. Ledneov), “eNsemble”
(cond. F. Ledneov), “de Ereprijs” (Apeldoorn),
“Nostri Temporis” (cond. V. Gorlinsky), “Mark
Pekarsky Percussion Ensemble” and been presented
at festivals “Moscow autumn” (2007, 2008, 2010),
“Moscow forum” (2008, 2010), “Pythian games”
(S.-Petersburg, 2008), “Other space” (Moscow,
2009, 2010), Schleswig-Holstein Musikfestival
(Kiel, 2008), “World Music Days 2008” (Vilnius),
“45' Internationale Ferienkurse Fur Neue Musik”
(Darmstadt, 2010), “Transart festival” (Bolzano,
2010), “Klangspuren festival of contemporary
musik” (Schwaz, 2010), «Europe through the eyes
of Russians. Russia through the eyes of
Europeans» (Moscow, 2011), «Territoriya» (Sochi,
Kazan, 2011), «La Folle Journee» (Nantes, Tokyo
2012). Furthermore, Alexey wrote the music
for a theatrical performances by K.
Serebrennikov and F. Grigorian. In 2011,
Sysoev formed the ensemble of free
improvisatory music «Error 404» together with
Yury Favorin (piano) andDmitriy Schyolkin
(percussion).This ensemblecooperated with great
musicians, as there are Sachiko M (Japan),
Toshimaru Nakamura (Japan) andVladimir Tarasov
(Lithuania). In 2008, Sysoev was awarded
the “eNsemble prize” at the festival “Pythian
games”. He is a also a member of the group
“Sound Plastic” since 2008.