An Goethe, 2012
for tenor/countertenor, recorder commissioned
by UMS 'n JIP
world premiere Riga, 3/2012
"The life of a person is
involved with perpetual cognition. That
materialisation does not allow me to repeat
myself in my music. Onward! Our era’s realities
are quixotic, if I desire, I can join a large
mob carrying weapons; there is not much
difference between a Dadaist and a journalist –
or, how many of the greats thought – Dada is
all. All is dada. Still, only faith can separate
the adequateness of the reflection of reality.
It is good, if it is larger than a mustard seed,
since today any text does not make much sense –
mankind, which, from its own experience, has not
learned anything in ten thousand years – in
reality, is tormented by the same two questions,
as in the Palaeolithic Era: What to do? And: Who
is at fault?... That is why I do not try to
complicate or beautify my aesthetic problems –
if only for necessity’s sake – but I still do
place a great awareness on the quality of
information. My consciousness tells me
everything that I need to know directly and –
aesthetic daring – getting to know those actual
facts, which are ridiculed by people... To
review a person’s cultural-historical experience
is difficult. But it is beautiful... I do not
crave beauty – that is why I do not compose very
much." Juris Abols
The composer Juris Abols was
born on April 16th, 1950, in Riga, to the family
of painter Ojars Abols and linguist Mirdza
Abola. He completed the Latvian State
Conservatory (now the Academy of Music) in the
flute class of Janis Morics, receiving his
diploma in teaching and concert performance
(1972) and the composition class of Adolfs
Skulte (1982); after that he worked as a
free-lance artist. He performed in the Latvian
National Opera Orchestra (1976–1978). In the
period of independence renewal, he worked in the
field of journalism, and he performed in a piano
trio together with composer Edmunds Goldšteins
and violinist Janis Bulavs, performing
classical, the music of Latvian composers, as
well as his own music. In 1988/1989, he recorded
and produced the record Smilšu laiks (Time of
Sand) as a testament to this collaboration. From
1998 until 2005, he worked as an organist in
Strasbourg, France, involving himself in the
sphere of Catholic Church music. As of 1987, he
is a member of the Latvian Composers’ Union.
From his father he inherited a philosophical
world view, which is centred in humanism and the
observation of the world’s social process - the
complicated interconnections, contexts and
cross-cuts. Beginning already with his first
approbated works (Piecas latviešu dejas [Five
Latvian Dances], Prelude and Toccata) the
thematic centre is – thoughts of people, their
inner world, reaching into the deepest depths of
consciousness, to which are dedicated a
considerable, psychedelically centred plethora
of compositions since the beginning of the 80s.
Here he has learned from Luciano Berio and
Mauricio Kagel, but still holding on to his own
individual style – experimenting with the human
voice in many difference emotional situations,
using ancient deceased languages (Carmina
byzantica, Normala fiziologija [Normal
Physiology] and others), exploiting a whole five
languages in one opus (Musu cilveks Beiczina
(L’amiral cherche une maison a louer) [Our Man
in Beijing]. Altogether, language is used on all
levels – beginning with intonemes materializing
in the consciousness until their electronic
transformation, from the ancient Greek,
Thracian, Assyrian language, to the so-called
imaginary languages, in the Dadaist lexicon, and
finally – his birth language with its dialects.
Cultural history, ancient culture and
civilization expert: occasionally in his works
we see some cultural reference. He does not flee
from the most traditional means of music
expression, for example, the classical harmony
school. He is interested in national cultures,
the historical and geographical parallels. In
his free time – ethnic genesis and ancient
cultures, which research resulted in the
assembling of the Baltobalkanistikas
Enciklopedijas [Balto-Balkan Encyclopedia]
(2002) and separate research manuscripts. He
researches regularly. Overall, he is a
bitonalist and polytonalist. Polystylist. At the
end of the 90s, Dadaist opuses competed with
works composed in a traditional style; in 2004,
to this symbiosis electronica and folk-rock was
added (Jautra sabiedriba [Joyous Society]). The
motifs are not particularly ironic; jeering,
sarcasm, absurd humour, especially at the time
of the turn of the century. Still, in this irony
there is no evil; if ethics prevails over
aesthetics – then that is a cultural-history
experience of humanity or cultural process
reward. The sounds of his opuses can be tinted
with a resigned, sad smile, along with that,
those enjoying his musical process are given the
question: But why?... J. Abols’ publications on
cultural problems are also found in the Latvian
press and concert reviews. His recordings – in
the Latvian Radio sound recording library, the
Latvian National Library Music Division;
manuscripts – the Latvian National Library Music
Division, the Latvian Academy of Music sheet
music library. Photo materials – in the personal
archives of composer Edmunds Goldšteins. (Juris
Abols, Marite Dombrovska) http://www.musicabaltica.lv/en/autori/303,
Photo: Edmunds Mickus
MARINA GRIBINCHIKA
b. 1966
La Luna, 2011/12
for countertenor, recorders and bells,
commissioned by UMS 'n JIP
world premiere Riga, 3/2012
"I do not think that my music
means anything to anyone else – I simply enjoy
the process of composition."
Marina Gribincika was born
August 9th, 1966, in a village in the Volinia
region in the Ukraine. She completed the Jazeps
Medinš College of Music in the composition
department (1986) and the Latvian Academy of
Music, gaining her bachelor’s degree (1992) and
master’s degree (2004) in composition. From 1990
to 1998, she participated in young composers’
seminars in the Art House in Ivanov, Russia.
From 1995 to 1997, she trained in composition
with Sergei Berinski in Moscow.
She was a teacher of composition and theory at
the Pavuls Jurjans Children’s Music School in
Riga (1989–1992), solfeggio and piano teacher in
the creative organisation VAKS, the Riga Musical
Theatre Actors’ School (1993–1995), a composer
at the Riga Musical Theatre (1995–1998), teacher
of solfeggio at the Riga 4th Music School
(1999–2000). As of 2000, she works as a
solfeggio and composition teacher at the Emils
Darzinš College of Music.
The composer was awarded the Russian (1995–1996)
and Moscow Composers’ Union scholarship
(1996–1997). As of 1994, M. Gribincika is a
member of the Russian Composers’ Union, as of
1996, a member of the Latvian Composers’ Union.
The composer’s music frequently is performed at
concerts and festivals. http://www.makslinieki.lv/profile/592/
LAURA GUSTOVSKA
b. 1986
Amount of Mountains, 2012 commissioned by
UMS 'n JIP
world premiere Riga, 3/2012
Laura Gustovska
is a Latvian composer of the newest age, born on
1986. She started her musical studies as a
tradicional latvian music instrument – kokle –
player. Later on she finished studies in music
theory and composition both at highschool and
music academy (studied at Romualds Kalsons and
Selga Mence). Gustovska is now studying for a
master’s degree in composition in Jazeps Vitols
Latvian music academy. Currently she is also a
pedagogue in Liepaja music highschool.
Gustovska has written music for orchestra,
choir, chamber ensembles and electronics. Her
music has been performed in several festivals
(Latvian new music days, electronic music
festival Sound Forest) and also has been in a
laureate list of composition competitions as
creative work competition of children choral
songs Who we are, were and will be, new music
festival Arena.
Gustovska’s music is like a fine fabric with a
nuanced texture. The ritmical intensity is
natural and steady as a breath or heartbeat, it
familiary lays into the whole texture. With a
careful and tolerant attitude towards both
musician and instrument, she fortunes to create
significant and unique musical ideas. Being
interested in electroacoustic world, she still
respects all that is natural, acoustic and
alive. http://youtu.be/LEMVg7uDClo
OSKARS HERLINS
b. 1980
Implosion, 2012
commissioned by UMS 'n JIP
world premiere Riga, 3/2012
Oskars Herlins
created his first compositions using a PC
ZX-Spectrum 128 which has 3 audio channels and
8-bit sound. Few years later he started to play
the electric guitar, formed several rock bands,
and wrote music for them. During this time
Herlins took private trumpet lessons under the
guidance of a trombonist and wind band conductor
Dimitrijs Grozovs. In 2001 Herlins started to
study the philosophy at the University of Latvia
and graduated in 2007 gaining master’s degree.
From 2004 to 2008 Herlins studied composition
under the supervision of a composer Maija
Einfelde at the night music school ‘Ridze’.
After the graduation he participated in master
classes for young musicians held in Ogre,
Latvia, where a composition contest was
organized and Musica Baltica publishing house
awarded a prize for his piece ‘Etide diviem’
(‘Etude for Two’) – publication of the piece. In
2008 Herlins took private lessons in composition
under the supervision of composer Imants
Mežaraups. Oskars Herlins studied electronic
music under David Mondrup’s supervision at the
Engelsholm Folk High School in Denmark for two
semesters in 2009 and 2010. A piece ‘Through
Imaginary Worlds’ composed by Herlins was among
the five winners of the electronic music
composition contest Elektrochok 2009 held by the
Academy of Music and Music Communication in
Esbjerg, Denmark. His vocal chamber piece
‘Tunsa, ka-'annaka lam takun’ (‘You Will be
Forgotten as if You Never Existed’) won the 3rd
place in a competition called Valodas skana Tuvo
Austrumu dzeja (‘Sound of Language in Poetry of
Middle East’), held within the framework of
Arena 2009 – festival of new music in Riga,
Latvia. He used poetry written by Mahmoud
Darwish in this piece. In 2010 Oskars Herlins
was enrolled at Jazeps Vitols Latvian Academy of
Music and started bachelor studies in
composition under the guidance of composer
Rolands Kronlaks. In 2011 his vocal chamber
piece ‘Variations’ won the 2nd place in the
competition named Balss teatris (‘Voice
Theatre’), held within the framework of Arena
2011 festival of new music. In November 2011
Oskars Herlins participated in a master class in
composition (which is a part of Brücken
(‘Bridges’) festival held in Rostock, Germany)
with Wolfgang Rihm as the residing composer. http://www.myspace.com/oskarsherlins
ANASTASIJA KADISA
b. 1985
Paranoia, 2012
for tenor/countertenor, recorder and tape
world premiere Musik-Akademie Basel, 6/2012
Anastasija Kadiša
was born in Jurmala (Latvia) in 1985. Since the
age of eight she began to study music
professionally by starting to play piano at the
Music School of Jurmala with Maija Berzina and
after with Irene Štrause later getting a diploma
as pianist. Meanwhile she gradually got
interested in musical composition writing her
first pieces under the supervision of the
composer Rihards Dubra. In 2005 she continues
her studies in composition at Jazeps Vitols
Latvian Music Academy by the composer Juris
Karlsons obtaining a 4-year bachelor degree in
music composition in 2009. Still in her bachelor
she received the Olgerts Ziverss Prize in piano,
while, in 2007, she also took part in the
International Piano festival in Vilnius,
Lithuania. In 2008/2009 within the framework of
the Socrates Erasmus Program she studied
composition at the Music high school in Cologne
with the composer Krzysztof Meyer. In 2009 she
attended the Music Visualization Laboratory in
Vilnius which is part of the music laboratory
network THE PROCESS. Since 2007, she
participated in the Next Generation master
classes organized within the Donaueschinger
Musiktage in Donaueschingen, Germany as well as
in the contemporary music festival Brücken in
Rostock, Germany. Since 2011 she is member of
the Latvian Composer Union. Compositions of
Anastasija Kadiša were performed in several
contemporary music festivals in Latvia (New
Latvian Music Days), Lithuania (Vilniaus
Veidai), Germany (Brücken and The Next
Generation) and Switzerland. At the moment she
is working towards her master degree in
composition and music theory at the Music
Academy of Basel, Switzerland by Prof. Georg
Friedrich Haas.
IEVA KLINGENBERGA
b. 1986
Der Schizophrene, 2012
commissioned by UMS 'n JIP
world premiere Riga, 3/2012
Ieva Klingenberga
was born on September 17, 1986 in Riga, Latvia.
She studied Music theory and Composition at the
Emils Darzinš College of Music (2002-2006). In
2006 she started her studies of Composition at
the Jazeps Vitols Latvian Academy of Music with
assoc. professor Andris Vecumnieks, accomplished
her Bachelor’s degree in 2010. Ieva Klingenberga
improved her knowledge of Composition at the
Sibelius Academy, Helsinki in 2008. She studied
there as a part of the Socrates/Erasmus student
exchange programme with Lauri Kilpiö. Currently
she studies for the Master’s degree in
Composition at the Jazeps Vitols Latvian Academy
of Music with university lecturer Rolands
Kronlaks. Ieva Klingenberga has participated at
the International Latvian Young Musicians’ Camp
in Ogre (2004), the Donaueschinger Musiktage
Workshops for students The Next Generation
(2009, 2010, 2011) and the Workshop for students
as a part of the Schwetzinger Festspiele (2010)
in Germany. Her music has been performed at the
music festival Latvian New Music Days in Riga
(2011) and in other concerts. Videosample:
"Tänzerin" for voice, flute, percussions,
electronics and video projections: http://www.youtube.com/watch?v=gkBvjJhhBvQ,
http://www.myspace.com/ievaklingenberga/
ROLANDS KRONLAKS
b. 1973
New Work
Rolands Kronlaks was
born in Liepaja on March 20, 1973. He studied
composition with Tamara Kalna at Jazeps Medinš
Secondary Music School and with Gederts Ramans
at Jazeps Vitols Latvian Academy of Music
(JVLMA), graduating the Academy in 1996. After
postgraduate studies at JVLMA with professor
Juris Karlsons he obtained his Master’s
diploma in 2002. Rolands Kronlaks completed
IRCAM composition and electronic music courses
in Paris, where he studied with Phillipe
Hurel, Marco Stroppa, Brian Ferneyhough and
others (1998–1999). He took part in young
composers’ seminars at Ivanov (Russia,
1996–1997) and studied with David Rowland at
Enschede Conservatory in the Netherlands in
frames of the TEMPUS program (1997). Rolands
Kronlaks participated in Franco Donatoni’s
masterclass in Mexico (1998) and, under the
Royaumont Foundation Program Voix nouvelles
studied at the Abbey of Royaumont (France)
with Brian Ferneyhough, José Evangelista, and
Jean-Luc Hervé (2000). From 2004 to 2006 he
studied composition with Hanspeter Kyburz and
electroacoustic music with Wolfgang Heiniger
at Hanns Eisler Academy of Music in Berlin.
Compositions of Rolands Kronlaks have been
performed in concerts and festivals in Latvia,
Lithuania, Russia, The Netherlands, Germany
and France by such musical units as Nouvel
Ensemble Moderne, Nieuw Ensemble,
Court-Circuit Ensemble, The Latvian Radio
Choir, Sinfonieta Riga and others. Rolands is
a member of JVLMA Composition Department and
teaches composition, contemporary composition
techniques, electroacoustic music and
contemporary music notation. Since 2007
Rolands Kronlaks pursues doctoral studies at
Jazeps Vitols Latvian Academy of Music under
the supervision of professor Jelena Lebedeva.
His research topic is related to the
manifestations of self-similarity and
biological growth phenomena in the
contemporary composition techniques.
SELGA MENCE
b. 1953
New Work
"I am proud that I am a Latvian
composer, since we have an incalculable wealth
– Latvian folk songs, whose melodic
intonations and substantive imagery is an
inexhaustible fountain for works in many
different compositional techniques." Selga
Mence
Selga Mence was
born on January 12th, 1953 in Liepaja. Her
father – math teacher Janis Mencis. In his
youth, he studied choir conducting at the
Jekabs Vitolinš Education Institute of Riga.
Her brother Janis Mencis Jr. is also a
mathematician. Selga Mence graduated the 5th
High School of Liepaja, with a focus on German
(gold medal, 1971), after two years she was at
the Emils Melngailis Music College of Liepaja,
then the composition class at the Latvian
State Conservatory and studies with Pauls
Dambis (1978, 1988). She has studied
musicology. She worked for many years at the
Latvian Culture Ministry Repertoire Editorial
Council (1980–1987). In the 80s, she managed
the children’s music sphere in the Composers’
Union. As of 1985, she is a lecturer and is
currently an associate professor in the
Latvian Academy of Music composition
department. As of 2004, Selga Mence has been
the head of the composition department at the
Latvian Academy of Music. Selga Mence’s name
was first highlighted in association with
choir music. Her works were performed at the
Scandinavian Song Festival in Norway in 2000
and at many Song Festivals in Latvia, the
United States, and Canada. Many Latvian choirs
have achieved victory at international
competitions with her works. Selga Mence has
participated in such projects as the
Songbridge 2000 festival Europa Cantat XIV in
Nevers, France, and at the Month of European
Music in 2001, Basel. Her cycle Dziesmas
(Songs) for two pianos was included in the top
ten recommended works at the 1999
International Rostrum of Composers in Paris.
Choir songs, children’s music – in these
genres of creative work Selga Mence’s bright
emotionality has been especially expressed, as
well as the liveliness of musical images, love
of Latvian folk verses with the traditional,
stable world of value. Often using Latvian
(and Liv) folk melodies and texts (often
blurring the boundary between folksong
arrangement and original music) altogether
included in the national romantic tradition
that still is developed with contemporary
compositional materials. The works display
sonoric colouristic possibilities and
aleatoric characteristically improvisational
games. Of highest importance is the intonative
material that, determinedly and logically –
Selga Mence’s characteristic qualities –
directs, sets alight the work’s overall
perception. Guntars Pupa correctly wrote, that
she, as one of the first of the new composers,
actualised melody in Latvian music in the 80s.
(Literatura un Maksla, 1986). It is possible
that, due to this creative influence, the song
genre has become significant in her newest
instrumental writings, in a symbolic way
concentrating within herself a very nuanced
poetic character.
Cosmic Radio
world premiere Riga, Contemporary Music
Festival deciBels, 2/2015
Jachin Pousson is
an American musician, composer and sound
designer currently living in Riga, Latvia.
Before pursuing musical endeavors he was a
commercial graphic designer and film-maker. He
began performing music professionally in
Singapore as a drummer and lyricist, leading
to several international festival appearances
and showcases. Following that he became a
humanitarian worker in Asia, Africa and
Eastern Europe where he often took on an
additional role to document the work in
writing, film, photography or sound recording,
making many personal recordings of his own.
Subsequently he moved to Copenhagen for a
formal music education in composition. Drawn
to the musical aesthetic of the Baltics, he is
at present pursuing further music education in
Latvia. http://rainworld.wix.com/music
INDRA RISE
b. 1961
Meditation with Birds, 2012
for tenor/countertenor, recorder commissioned
by UMS 'n JIP
world premiere Riga, 3/2012
Indra Riše was
born on June 11th, 1961 in Ogre, Latvia.
Having graduated from the Jazeps Vitols
Latvian State Conservatory as a pianist in
1985, Indra Riše turned her attention to
composing music and completed her second round
of education, graduating from professor
Peteris Plakidis’ composition class in 1990.
In 1993, Indra Riše won the scholarship of the
Danish Ministry of Culture and went to
Copenhagen, where she continued her
advancement in composition with Niels
Rosing-Schow and electro-acoustic composition
with Ivar Frounberg. Thus she was the first
woman in Denmark who mastered a full course in
composition. An essential role in her
education was played also by: •
the Summer Workshop in New Technologies for
Music Performance and Composition, University
of California, Berkeley (1995); •
IRCAM Summer Academy in Paris (1999); •
Opera Academy, Oslo (2001); •
International Composer’s Center, Visby,
Gotland (2004). Indra Riše
stayed in Denmark until 2002, composing
commissioned works and periodically working as
a music copyist and arranger for various
orchestras for the Copenhagen Royal Opera, the
Samfundet sheet music publisher, and Danish
Radio. Indra Riše has written also piano
scores from dramatic-musical works by Danish
composers (Ib Nřrholm, Erik Norby). Since
2002, Indra Riše has been living in Latvia and
is active as a composer, revealing her locally
and internationally polished talent in a
comprehensive variety of genres, from songs
for choirs, chamber music and electronic works
to symphonic and vocal-symphonic scores. Indra
Riše has two dedicated CDs (released in1998
and 2000). The
compositions by Indra Riše have been played at
festivals and concerts in Baltic States,
Scandinavian countries, Germany, United
Kingdom, Russia and elsewhere. http://www.music.lv/Composers/Rise/default.htm
GUNDEGA SMITE
b. 1977
curved, 2014
world premiere Riga, Contemporary Music
Festival deciBels, 02/2015
"The search for my inner world of
sound seems an eternal one and it is difficult
to explain the process… like a slow deep dive…
Deeper even into the unknown, not yet felt...
Sound, words, silence – all of it truly
phenomenal – open to unending possibilities…"
Gundega Šmite
Gundega Šmite was
born on June 5th, 1977, in Riga. She studied
at the Jazeps Medinš College of Music
(1992–1998), and also at the Latvian Academy
of Culture in the screen and stage theatre art
department (1996–1997). In 1998, she began
studies at the Vitols Latvian Academy of Music
in the composition department with Peteris
Plakidis, under whose direction she received
her Bachelor’s degree in 2005 and Master’s
degree in 2007. She worked
as a music theory and piano teacher at the
Kekavas Music School (1999–2000), and as
organist at the St. John’s Congregation in
Philadelphia, USA (2001–02). She was also a
teacher at the St. John’s Congregation Latvian
School in Philadelphia and later was teacher
of music literature at the Riga Music School
No. 3 (2002), and as of 2005, she works as a
teacher of composition at the Daugavpils
College of Music. For her work Parvertibas
(Transformations) she won first prize at the
Latvian Academy of Music competition (1999)
and gained a World Federation of Free Latvians
Cultural Foundation recognition certificate
for her works Atgriešanas (Homecoming) and
Atnakot (Arriving, 2001). She gained 6th place
at the 2005 International Rostrum for
Composers competition for composers younger
than 30, 2nd place (no first place was
awarded) at the festival Culturescapes
international young composers’ competition
(for the work Isochasma, 2006), and received
the Talivaldis Keninš Award (2006). She took
part in the 5th International Latvian Music
Camp at Ogre and also at the Baltic Young
Composers’ Mastercourses at Dundaga, and the
Academic d’Villecroze in France. In the
2005/2006 academic year, as part of the
Socratus Erasmus exchange program, she
supplemented her education with studies at the
J. Sibelius Academy of Music with Veli-Matti
Puumala. Her works have been performed in
Latvia, Lithuania, Switzerland, Austria,
France, Germany, Japan, the U.S.A. and New
Zealand. She is a member of the Latvian
Composers’ Union (as of 2006), chairman of the
board (as of 2009).